Lord of Misrule

Photo by Kenneth Kerber

Why Misrule?

Because that is precisely what all serious art aspires to. If a work of art does not confound you, baffle, confront, challenge, or provoke you, then it is not art, but entertainment. And don’t get me wrong: nothing against entertainment. If you wish to be confirmed, coddled, stroked and comforted and left at the conclusion of the experience no different an individual than you were going in—then, by all means, read that detective novel, watch that football game, cheer for Spiderman or bob for apples. But entertainment never built a city—or leveled a city, for that matter—never transformed a single individual, never took an axe to the frozen sea within us. A person once remarked of one of my characters that the character so provoked her that she wanted to seize hold of her shoulders and shake her. That may well have been the highest compliment my writing has ever received. If you are so aroused by a character, so pissed with her, that you want to shake her, you can be assured of one thing: That character has reached inside you and shaken you. Heavens, none of this is news: Aristotle clarified it for us two millennia ago, and in our era Franz Kafka stated it far more eloquently than I. Catharsis, it’s called. What we are going to do here then is examine some recent world literature. Think of Lord of Misrule, Blog Series I, Reading Across the Lines, as a meander through Powell’s Books List of 25 World Books to Read Before You Die, World Edition. Each short post takes up one of Powell’s recommendations, describes it, and offers some critical reflection. The ultimate aim is to encourage US readers to explore a little farther afield. And so, with that, let’s get to it.

Reading Across the Lines

It is 1925 in Ilheus, a sleepy town in the province of Bahia in southern Brazil, and Nacib the Arab’s longstanding cook—for him personally as well as for his café—has up and left him for family matters, as she has threatened to do for years. On this same day that...

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